
Originally published as a series of mini comics, Box Office Poison drew increased popularity through simply being really, really good. No huge advertising campaigns, no 'speculator' foil stamped covers, nothing but good content. The story follows a group of very normal people doing very normal things, but that's usually what makes for extraordinary lives in many cases. Reading Box Office Poison, it's impossible not to love the characters. Where in many comics, characters are only characterized by which way the speech bubble tail is pointing, here you have characters that have good days and bad days, personal problems and very real neuroses.
A chunk of the action takes place in the comic book industry itself, which is something not all that many people will be able to relate to, but it is handled in a very human way that pu

Something that is evident when reading the full book is how Robinson's art style developed over the course of the comic's run. You can see he had some refining to do at the start, but the rough edges are quickly smoothed over and his figures and layouts quickly become really strong. It's a cliche, but I honestly could not put this book down. There's a collection of short pieces too, More Box Office Poison, which is also superb. This main collection is essential though- it's a big, thick book that pulls you in and makes you long for more once you reach the end. Bliss.
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